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Gagosian Quarterly

Winter 2023

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A Horse, of Course

A Horse, of Course

Alix Browne considers the enduring presence of horses in the contemporary imagination.

Poster art for Avanti! (1972), directed by Billy Wilder

Kiss Me, Stupid

Carlos Valladares mines the history of the romantic comedy and proposes an expanded canon for the genre.

Harry Smith in profile

The Art of Biography: Cosmic Scholar, The Life & Times of Harry Smith

Raymond Foye sits down with John Szwed to discuss his recent biography of the experimental polymath.

Rembrandt van Rijn, The Laughing Man

Benjamin Moser: The Upside-Down World

Benjamin Moser, Pulitzer Prize–winning author of biographies of Clarice Lispector and Susan Sontag, returns with a new book, The Upside-Down World, which tracks his decades-long engagement with the Dutch masters. Here he speaks with Josh Zajdman about the genesis of the project, the importance of judging your subjects, and the danger of art.

Sarah Sze: Timelapse

Sarah Sze: Timelapse

Francine Prose ruminates on temporality, fragility, and strength following a visit to Sarah Sze’s exhibition Timelapse at the Solomon R. Guggenheim Museum, New York.

A graphite crayon on paper self portrait of Balthus from 1943

Between Shadow and Light

Scholar and researcher Yves Guignard, who is working on Balthus’s archives for a revision of the Balthus catalogue raisonné, examines the artist’s engagement with drawing, arguing for a more concerted attention to these works than scholarship has paid them.

Portrait of Carol Bove in her studio

Carol Bove

Poet Ariana Reines responds to the work of Carol Bove.

Cover of Percival Everett's A Vera Tatum Novel By Leonora McCrae By: Part Four

A Vera Tatum Novel By Leonora McCrae By: Part 4

The final installment of a short story by Percival Everett.

Portrait of Satyajit Ray

Mount Fuji in Cinema: Satyajit Ray’s Woodblock Art

In the first installment of a two-part feature, novelist and critic Amit Chaudhuri arrives at a more nuanced understanding of the filmmaker Satyajit Ray by tracing the global impacts of woodblock printing, following its perspective and language as it circulated in the last three centuries.