Spring 2022
Flags
Gillian Pistell writes on the loaded symbol of the American flag in the work of postwar and contemporary artists.
Game Changer
Glauber Rocha
Carlos Valladares celebrates the visionary Brazilian director.
A Perfect Storm: Jim Shaw and Conspiratorial Film
In the fall of 2021, in partnership with New York’s Metrograph cinema and Gagosian, Jim Shaw organized a series of six conspiracy-minded films revolving around thorny questions of truth, guilt, fantasy, and innocence, and leading Shaw to revelations about the fringe notion of “frazzledrip.” Here, Natasha Stagg reflects on the movies he chose and on the wider implications of what it means to go down the rabbit hole.
Memoirs of a Poltergeist: Part 1
The first installment of a short story by Venita Blackburn.
Building a Legacy
Judd Foundation Archives
Richard Shiff speaks with Caitlin Murray, director of archives and programs at Judd Foundation, about the archive of Donald Judd, how to approach materials that occupy the gray area between document and art, and some of the considerations unique to stewarding an archive housed within and adjacent to spaces conceived by the artist.
Simon Hantaï: Les blancs de la couleur, la couleur du blanc
Anne Baldassari reflects on the art historical influences and radical breaks reflected in the artist’s work with color.
Tetsuya Ishida’s Testimony
Edward M. Gómez writes on the Japanese artist’s singular aesthetic, describing him as an astute observer of the culture of his time.
Shirley Clarke’s Indefinite Truths
Rennie McDougall traces the blurred line between truth and fiction in the cinema of Shirley Clarke, with particular attention to the 1967 documentary Portrait of Jason. From her early dance films to later feature-length movies, themes of race, performance, and the body emerge in Clarke’s examination of the real.
Robert Mapplethorpe’s Jewelry: Gaia Repossi and Michael Ward Stout
As part of an ongoing collaboration, Gaia Repossi, creative director for the Paris jewelry house Repossi, has created a collection of pieces inspired by Robert Mapplethorpe’s art practice and jewelry. Speaking with Michael Ward Stout, president of the Robert Mapplethorpe Foundation, and the Quarterly’s Wyatt Allgeier, Repossi recounts the origins of this project and details her deep admiration for the artist’s precision and eye for composition.