April 12, 2022
Spotlight
Peter Paul Rubens
Larry Gagosian reflects on Peter Paul Rubens’s The Massacre of the Innocents (c. 1610).
Spotlight
Jean-Michel in Black and White
Fred Hoffman looks back on the creation of Jean-Michel Basquiat’s Tuxedo (1983), examining the work’s significance in relation to identity and the hip-hop culture of the 1980s.
Spotlight
Walter De Maria: Truck Trilogy
Lars Nittve investigates Truck Trilogy, Walter De Maria’s last work, conceived in 2011 and premiered at Dia:Beacon in 2017.
Spotlight
Andy Warhol: Triple Elvis
Text by Derek Blasberg.
Spotlight
Tom Wesselmann
The story behind Tom Wesselmann’s Still Life #59 (1972). Text by Lauren Mahony.
Spotlight
Burden
The story behind Chris Burden’s Buddha’s Fingers (2014–15) and its connection to all of his streetlamp installations. Text by Sydney Stutterheim.
Spotlight
Basquiat
Jean-Michel Basquiat’s Untitled (L.A. Painting) (1982) was a game changer. Text by Derek Blasberg.
Spotlight
Mark Tansey
Alexander Wolf guides us through a multilayered new painting by the celebrated artist.
Spotlight
Picasso
The story behind the sculpture that Diana Widmaier Picasso highlighted in Picasso’s Picassos: A Selection from the Collection of Maya Ruiz-Picasso.
Spotlight
Ruscha
Ed Ruscha’s Burning Gas Station (1965–66) was a game changer. Text by Larry Gagosian.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Sofia Coppola: Archive
MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.
Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.