Art Fair
TEFAF New York 2023
Richard Prince, Jeff Koons, Peter Halley
May 12–16, 2023, booth 350
Park Avenue Armory, New York
www.tefaf.com
Gagosian is pleased to announce its participation in TEFAF New York 2023, with a special presentation of works by Richard Prince, Jeff Koons, and Peter Halley. Made between 1989 and 1994, they employ strategies of appropriation, figuration, and abstraction, responding with wry humor to the eclectic postmodernism and moral panics of a culturally volatile era. Three decades later, these works remain provocative and represent a pivotal development in the career of each artist.
#TEFAF
Gagosian’s booth at TEFAF New York 2023. Artwork, left to right: © Jeff Koons, © Peter Halley. Photo: Sebastiano Pellion di Persano
Related News
Auction
Printed Matter
Spring Benefit Auction
May 24–June 8, 2023
This online benefit auction for Printed Matter features over sixty donated artworks—some of which were created especially for the fundraiser—by contemporary artists, including Richard Artschwager, Piero Golia, Adam McEwen, Richard Prince, Ed Ruscha, Taryn Simon, and Jonas Wood. Proceeds from the auction, which is hosted by Artsy, will support the nonprofit organization’s mission to further the distribution, understanding, and appreciation of artist’s books and related publications.
Piero Golia, The Best Is Yet to Come, 2020 © Piero Golia
Art Fair
Art Basel Miami Beach 2022
December 1–3, 2022, booth D5
Miami Beach Convention Center
artbasel.com
Gagosian is pleased to present a selection of modern and contemporary works at Art Basel Miami Beach 2022. Returning to Miami for the fair’s twentieth anniversary, the gallery is honored to have participated each year the fair has been held.
Gagosian’s booth at Art Basel Miami Beach 2022. Artwork, left to right: © Gerhard Richter; © Amoako Boafo; © Richard Prince; © 2022 Judd Foundation/Artists Rights Society (ARS), New York; © Richard Diebenkorn Foundation; © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; © Stanley Whitney. Photo: Sebastiano Pellion di Persano
Art Fair
West Bund Art & Design 2022
November 11–13, 2022, booth A102
West Bund Art Center, Shanghai
westbundshanghai.com
Gagosian is pleased to participate in the ninth edition of West Bund Art & Design. The gallery will present new works made for the fair by Georg Baselitz, Roe Ethridge, Thomas Houseago, Alex Israel, Harmony Korine, Adam McEwen, Jim Shaw, Alexandria Smith, Spencer Sweeney, and Tatiana Trouvé, alongside works by Ashley Bickerton, Urs Fischer, Katharina Grosse, Damien Hirst, Takashi Murakami, Nam June Paik, Richard Prince, Ugo Rondinone, Ed Ruscha, Richard Wright, and Zeng Fanzhi.
Gagosian’s booth at West Bund Art & Design 2022. Artwork, left to right: © Adam McEwen, © Roe Ethridge, © Alex Israel, © Harmony Korine. Photo: JJYPHOTO
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.
Highlights: Salone del Mobile Milano 2024
This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Jim Shaw: A–Z
Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.
Oscar Murillo: Marks and Whispers
Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Lauren Halsey: Full and Complete Freedom
Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.
Candy Darling
Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.