Edmund de Waal: white island
Edmund de Waal considers Ibiza, Walter Benjamin, and the “aura of things” in a text entitled white island, written to accompany his first exhibition in Spain at the Museu d’Art Contemporani d’Eivissa, Ibiza.
Deluxe Photo Book
Sydney Stutterheim discusses Chris Burden’s Deluxe Photo Book 1971–73 on the occasion of its inclusion in About Photography at Gagosian San Francisco.
Patti Smith takes us on a journey to visit the grave of French writer and activist Simone Weil.
Y.Z. Kami: Behind the Vanishing Point
Blaise Pascal, the seventeenth-century mathematician and philosopher, served as a crucial inspiration for Y.Z. Kami’s newest body of work. Angela Brown examines Pascal’s ideas and their relevance to these portraits and Dome paintings.
In Foil Adventures: John Chamberlain’s Late Works in Aluminum, Corinna Thierolf discusses how, starting in the mid-1960s, the artist investigated and perfected working with this material.
Sally Mann: A Thousand Crossings
Drew Gilpin Faust discusses the Sally Mann’s landscape photographs of Antietam, a site that more than a century ago, bore witness to one of the bloodiest battles in the American Civil War.
Robert Pincus-Witten on Brice Marden
In honor of Robert Pincus-Witten, we share an essay he wrote in 1991 on Brice Marden’s Grove Group.
People Are Beautiful
An exhibition at Vassar College brings together almost one hundred works by Andy Warhol that highlight the methods and aesthetics of the artist’s portraiture.
Walter De Maria: Meaningful Work
Artist Terry Winters, longtime friend of De Maria and member of the installation crew for The Lightning Field, recounts a trip to New Mexico and the surrounding area and attests to the power—the “rhythm and pulse of ancient mystery”—that continues to imbue De Maria’s artworks into the present day.