Visit
After Hours
Steven Parrino
April 4–7, 2022
Gagosian, rue de Castiglione, Paris
For four nights the rue de Castiglione gallery will be open until 8pm for after-hours viewing of Steven Parrino, an exhibition featuring manipulated canvas paintings, works in sprayed enamel on vellum, and other works on paper. The show is anchored by three large paintings: Touch and Go (1989–95), Spin-Out Vortex (Black Hole) (2000), and The Self-Mutilation Bootleg 2 (The Open Grave) (1988/2003). Initially grouped with the Neo-Geo and Appropriation artists of 1980s downtown New York, Parrino ultimately pursued a more idiosyncratic and iconoclastic vision.
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Steven Parrino, Touch and Go, 1989–95 © Steven Parrino, courtesy the Parrino Family Estate. Photo: Rob McKeever
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Visit
After Hours
Damien Hirst: Relics and Fly Paintings
Thursday, July 15, 2021, 6–8pm
Gagosian, Britannia Street, London
The Britannia Street gallery will be open after hours to visit Damien Hirst: Relics and Fly Paintings, the second phase of the artist’s yearlong takeover of the space. For this new iteration, the artist has clad the interior of the gallery in black butterfly-patterned wallpaper that reproduces the kaleidoscopic surface of his painting Valley of Death (2010). With its uniquely immersive atmosphere, the exhibition brings together a number of Hirst’s bodies of work, prompting reflections on themes of darkness and death, the past and the future.
Installation view, Damien Hirst: Relics and Fly Paintings, Gagosian, Britannia Street, London, open from June 5, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2021. Photo: Prudence Cuming Associates
Art Fair
FIAC 2021
October 21–24, 2021, booth B23
Grand Palais Éphémère, Paris
fiac.com
Gagosian is pleased to participate in FIAC 2021 with a presentation of painting, sculpture, and works on paper by gallery artists. The booth will feature works by Georg Baselitz, Edmund de Waal, Helen Frankenthaler, Theaster Gates, Katharina Grosse, Simon Hantaï, Takashi Murakami, Albert Oehlen, Steven Parrino, Auguste Rodin, Sterling Ruby, Setsuko, Jim Shaw, and Cy Twombly, among others. A selection of the works will also appear on gagosian.com and in FIAC’s Online Viewing Room.
To receive a pdf with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at fiac.com.
Gagosian’s booth at FIAC 2021. Artwork, left to right: © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris; © Michael Heizer; © Georg Baselitz, 2021; © Pier Paolo Calzolari. Photo: Thomas Lannes
Exhibition
Broadcast
Alternate Meanings in Film and Video
You’re only as young as the last time you changed your mind.
—Timothy Leary
Gagosian is pleased to present Broadcast: Alternate Meanings in Film and Video, an online exhibition of artists’ films and videos viewable exclusively on gagosian.com. The exhibition will be organized into a series of “chapters,” each lasting two weeks. The first chapter begins on Tuesday, May 19, 2020.
Broadcast: Alternate Meanings in Film and Video employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point.
Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Jane Fonda: On Art for a Safe and Healthy California
Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.
Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.
Highlights: Salone del Mobile Milano 2024
This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Jim Shaw: A–Z
Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.
Oscar Murillo: Marks and Whispers
Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Lauren Halsey: Full and Complete Freedom
Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.