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Theaster Gates has been named the 2023 winner of the National Building Museum’s Vincent Scully Prize. Established in 1999, the award recognizes excellence in practice, scholarship, or criticism in architecture, historic preservation, and urban design. The jury was impressed by Gates’s collecting practice, which in addition to the constellation of Black spaces on Chicago’s South Side that he is actively creating, includes a number of historic record collections, such as those of the godfather of house music, Frankie Knuckles, and the Olympic runner Jesse Owens; over fifteen thousand objects from the legendary Johnson Publishing Company offices; Edward J. Williams and Ana Williams’s collection of approximately four thousand objects of “negrobilia” that make use of stereotypical images of Black people; over sixty thousand glass lantern slides from the University of Chicago; and the fourteen-thousand-volume Prairie Avenue Bookshop Archive.

Theaster Gates’s Altar for the Unbanned has been permanently installed at the Harold Washington Library Center branch of the Chicago Public Library (CPL). It features spiral shelves of books that have been banned at different points in American history topped by a rotating neon sign of the word “unbanned.” Actively responding to rising demands for censorship through public organizing, CPL partnered with the Chicago Department of Cultural Affairs and Special Events to commission Gates’s installation. Library officials hope this public artwork will expose citizens to banned titles and encourage them to engage with these books.

July 2–November 5, 2023
Luma Arles, France
www.luma.org

Min | Mon by Theaster Gates highlights the ritual, conviviality, and cultural hybridity often at the heart of his projects. Temple, a central structure using materials from Gates’s earliest exhibitions, deepens his exploration of “Afro-Mingei”—an inquiry into the intersection of Black cultural aesthetics and mingei, a Japanese movement honoring the handmade craftsmanship of ordinary utilitarian objects. Uniting key strands of his work, Gates has developed a participatory installation with a DJ booth featuring the artist’s own collection of vinyl records and a bar offering a new sake produced by Gates with the Hakurou brand in Tokoname, Japan. Min | Mon exemplifies Gates’s engagement with ceremony in Eastern culture while giving form to complex truths about craft, labor, value, and origin.