Screening
“Cinema” Film Festival
Andreas Gursky, Piero Manzoni, Cy Twombly
January 28–February 1, 2020
La Fondazione, Rome
www.lafondazione.info
Over the course of five days, La Fondazione will be hosting a film festival showcasing films by and about artists, including Andreas Gursky: Long Shot Close Up (2009), Piero Manzoni Artista (2014), and Cy Dear (2018). To attend the free event, RSVP to lafondazione.info@gmail.com. Space is limited and will be granted on a first-come, first-served basis.
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Still from Andreas Gursky: Long Shot Close Up (2009) by Jan Schmidt-Garre
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Art Fair
TEFAF New York 2024
Brice Marden and Cy Twombly
May 10–14, 2024, booth 350
Park Avenue Armory, New York
www.tefaf.com
Gagosian is pleased to announce its participation in TEFAF New York 2024, with a presentation of works by Brice Marden and Cy Twombly focused on the two artists’ exploratory approaches to the relationship between abstract form and mythological allusion.
Gagosian’s booth at TEFAF 2024. Artwork, left to right: © Cy Twombly Foundation; © 2024 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Dan Bradica
In Conversation
Katherine Brinson, Sarah Crowner, Kate Nesin
Wednesday, February 7, 2024, 6pm
Hill Art Foundation, New York
hillartfoundation.org
Join curator Katherine Brinson, artist Sarah Crowner, and art historian Kate Nesin for a conversation on the occasion of The Sea, the Sky, a Window: A Project by Sarah Crowner, on view through February 17 at the Hill Art Foundation, New York. The exhibition places site-specific works by Crowner in dialogue with sculptures and paintings from the Hill Collection; the centerpiece is three paintings the artist has made in response to sculptures by Cy Twombly. The talk will be followed by a question-and-answer session.
Installation view, The Sea, the Sky, a Window: A Project by Sarah Crowner, Hill Art Foundation, New York, September 22, 2023–February 17, 2024. Artwork, front to back © Cy Twombly Foundation, © Sarah Crowner. Photo: Matthew Herrmann, courtesy Hill Art Foundation
Art Fair
Paris Photo 2023
Still Life Stilled
November 9–12, 2023, booth b10
Grand Palais Ephémère, Paris
www.parisphoto.com
Gagosian is pleased to participate in Paris Photo 2023 at the Grand Palais Éphémère. Still Life Stilled is a catalytic presentation, organized by Joshua Chuang, of historical and contemporary works that explore photography’s unique capacity to both invest inanimate tableaux with substance and find meaning in suspending the theater of life.
Gagosian’s booth at Paris Photo 2023. Artwork, left to right: © Man Ray 2015 Trust/ADAGP, Paris 2023; ©️ Estate of Jan Groover; © Kwame Brathwaite; © Jeff Wall; © 2023 June Leaf and Robert Frank Foundation; © Tyler Mitchell. Photo: Thomas Lannes
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Jane Fonda: On Art for a Safe and Healthy California
Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.
Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.
Highlights: Salone del Mobile Milano 2024
This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Jim Shaw: A–Z
Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.
Oscar Murillo: Marks and Whispers
Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Lauren Halsey: Full and Complete Freedom
Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.