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Gagosian Quarterly

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Installation view with Douglas Gordon, Pretty much every film and video work from about 1992 until now... (1999–)

Douglas Gordon: To Sing

On the occasion of Douglas Gordon: All I need is a little bit of everything, an exhibition in London, curator Adam Szymczyk recounts his experiences with Gordon’s work across nearly three decades, noting the continuities and evolutions.

Detail of Lauren Halsey sculpture depicting praying hands, planets, and other symbol against red and green background

Black Futurity: Lessons in (Art) History to Forge a Path Forward

Jon Copes asks, What can Black History Month mean in the year 2024? He looks to a selection of scholars and artists for the answer.

Portrait of artist Kelsey Lu

Kelsey Lu

Art historian and curator Olivier Berggruen reflects on his trip to Berlin to see a performance by the multihyphenate Kelsey Lu. Following his experience of that performance, The Lucid, Berggruen caught up with Lu in New York, where they spoke about the visual elements of their work, dreaming, and the necessity of new challenges.

Portrait of twins Frances McLaughlin-Gill and Kathryn Abbe in front of a beach, one of them sits in a lawn chair and the other stands behind looking out of a spyglass

The Art of Biography: Mary Gabriel and Carol Kino

Carol Kino’s forthcoming biography of Frances McLaughlin-Gill and Kathryn Abbe, the identical twin sisters who blazed new trails in the world of photography—Double Click: Twin Photographers in the Golden Age of Magazines—charts a critical moment in the United States, bringing to the surface questions around aesthetics, technologies, and gender through the arc of the twins’ lives. Here, Kino meets with award-winning biographer Mary Gabriel, whose 2023 publication Madonna: A Rebel Life described the unparalleled significance of the musician’s life and career, to discuss the origins of their most recent projects, as well as the specific considerations that underpin the process of narrating a life.

Inkjet print of Jeff Wall's "In the Legion" (2022)

Jeff Wall: In the Domain of Likeness

The Fondation Beyeler, Riehen/Basel, has staged a comprehensive Jeff Wall exhibition including more than fifty works spanning five decades. Here, Barry Schwabsky reflects on the enduring power of and mystery in Wall’s photography.

Portrait of Jean-Michel Basquiat sitting inside his studio and in front of his paintings

Jean-Michel Basquiat: Los Angeles

Jean-Michel Basquiat’s sisters, Lisane Basquiat and Jeanine Heriveaux, met with filmmaker Tamra Davis, art dealer Larry Gagosian, and author and curator Fred Hoffman to reflect on their experiences with the artist during the 1980s in Los Angeles.

Portrait of Simon Hantaï holding on a blue and white canvas in his studio

Simon Hantaï: Azzurro Blue

In conjunction with Azzurro, an exhibition of paintings by Simon Hantaï at Gagosian, Rome, we share the catalogue essay by curator Anne Baldassari. Here Baldassari focuses on the significance of blue in the artist’s practice, illuminating his affinity with Italy and the influence on his work of its classical painting tradition.

poster for an exhibition with two figures

The Beginning: A Life in Art

Delphine Huisinga and Alison McDonald chart Larry Gagosian’s formative years on the West Coast and contextualize the Los Angeles art scene in the mid-1970s.

Painting in gray tones of a man in a suit and tie holding an industrial-looking carousel from which identical suited men hang as if on a dilapidated carnival ride

Nostalgia and Apocalypse

In conjunction with My Anxious Self, the most comprehensive survey of paintings by the late Tetsuya Ishida (1973–2005) to have been staged outside of Japan and the first-ever exhibition of his work in New York, Gagosian hosted a panel discussion. Here, Alexandra Munroe, senior curator at large, Global Arts, Solomon R. Guggenheim Museum and Foundation, and Tomiko Yoda, Takashima Professor of Japanese Humanities at Harvard University, delve into the societal context in which Ishida developed his work, in a conversation moderated by exhibition curator Cecilia Alemani.