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Gagosian Quarterly

April 30, 2018

gagosianquarterlysummer 2018

The Summer 2018 Gagosian Quarterly issue is now available, featuring El Ejido, one of Andreas Gurksy’s latest artworks, on its cover.

Detail from Andreas Gursky’s El Ejido (2017) on the cover of Gagosian Quarterly, Summer 2018

Detail from Andreas Gursky’s El Ejido (2017) on the cover of Gagosian Quarterly, Summer 2018

In this issue, we explore the ever-elusive role of inspiration. We examine Cy Twombly’s ability to absorb his intimate understanding of poetry into his work, and look at the strength and power of Jenny Saville’s large, fleshy painted bodies. Virginia Shore considers Rachel Whiteread’s sculpture US Embassy (Flat pack house) at the new American Embassy in London; Mark Tansey’s friendships with and reverence for Sots (or Soviet Pop) artists and their Chinese counterparts are the subject of a round-table conversation; Jonas Wood speaks with Jacob Samuel about his printmaking practice; David Sylvester investigates Jeff Koons’s love of the baroque; and much more!

Order your copy or subscription at the Gagosian Shop, or read the issue online.

Cover © Andreas Gursky, VG BILD-KUNST, Bonn

Gagosian Quarterly Spring 2018

Gagosian Quarterly Spring 2018

The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.

Andreas Gursky, Salinas, 2021, Diasec-mounted inkjet print, framed: 80 × 160 ⅜ × 2 ½ inches (203.2 × 407.2 × 6.2 cm)

Andreas Gursky

On the occasion of an exhibition at Gagosian, New York, Max Dax met with Andreas Gursky to speak with the photographer about his new work. Here, they discuss the consequences of the pandemic on certain works, the roles of techno music and art history in Gursky’s art process, and the necessary balance of beauty and honesty in the contemporary.

Takashi Murakami cover and Andreas Gursky cover for Gagosian Quarterly, Summer 2022 magazine

Now available
Gagosian Quarterly Summer 2022

The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).

Andreas Gursky, Jonathan Ive, 2019, fine art print mounted on dibond, 64 1/2 × 50 ⅝ inches (163.7 × 128.5 cm). National Portrait Gallery, London, commissioned; made possible by the Outset Commission, supported by Scott Collins in partnership with Outset Contemporary Art Fund, 2019 © Andreas Gursky/VG BILD-KUNST, Bonn

Ive by Gursky: A Meeting of Minds

By exploring the conventions of past portraits of industrial designers and architects, Maria Morris Hambourg unpacks Andreas Gursky’s ingenious recent portrait of Apple designer Jony Ive to reveal its layered meanings.

Black-and-white photograph: Donald Marron, c. 1984.

Donald Marron

Jacoba Urist profiles the legendary collector.

Anselm Kiefer, Volkszählung (Census), 1991, steel, lead, glass, peas, and photographs, 163 ⅜ × 224 ½ × 315 inches (4.1 × 5.7 × 8 m)/

Cast of Characters

James Lawrence explores how contemporary artists have grappled with the subject of the library.

Anselm Kiefer, Maginot, 1977–93.

Veil and Vault

An exhibition at the Broad in Los Angeles prompts James Lawrence to examine how artists give shape and meaning to the passage of time, and how the passage of time shapes our evolving accounts of art.

Unreal Americans

Unreal Americans

Benjamin Nugent reflects on questions of verisimilitude and American life in the group exhibition I Don’t Like Fiction, I Like History at Gagosian, Beverly Hills.

Andreas Gursky and Jeff Wall

In Conversation
Andreas Gursky and Jeff Wall

On the occasion of a major survey of Andreas Gursky’s work at the Hayward Gallery in London, Gursky and Jeff Wall discuss the state of photography and the evolution of the medium.

Andreas Gursky

In Conversation
Andreas Gursky

Andreas Gursky and Richie Hawtin discuss their collaboration with art historian Laura Käding.

Andreas Gursky Parrish Art Museum

Andreas Gursky Parrish Art Museum

Terrie Sultan, Director of the Parrish Art Museum, discusses Andreas Gursky: Landscapes (2015)